克劳德·莫奈(Claude Monet)高清作品《Camille Monet and a Child in the Artist’s Garden in Argente》
作品名：Camille Monet and a Child in the Artist’s Garden in Argente
原名：他和一个孩子在花园里卡米尔
艺术家：克劳德·莫奈
年代：1875
风格：印象派
类型：肖像
材质：布面油彩
尺寸：55.3 x 64.7 cm
收藏：美术博物馆（MFA），波士顿，MA，美国
莫奈的第一任妻子卡米尔在巴黎附近的阿金图伊尔家中的花园里带着一个孩子，他们住在1872年到1877年之间。今天，克劳德·莫奈主要以山水画家而闻名，但是在他的艺术生涯开始时，他总是专注于肖像画。在莫尼特的绘画中，没有人能像卡米尔一样经常出现。那一年，妇女肖像大多是资产阶级客户订购的，但在进步派画家中，艺术结构变得比人物的身份更重要。娴熟的风格，缺乏细节，以及朴素的颜色导致一个全新的直接表达，独立于面部姿态描绘的人。在这张照片中，闪烁的红色、蓝色、绿色和白色，捕捉了阳光普照的一天的光辉，用许多小笔触，其不同的形状创造出花、草和衣服的不同纹理。同时，这个女人的特征是完全模糊的。
Title:Camille Monet and a Child in the Artist’s Garden in Argente
Original Title:Camille Monet et un enfant au jardin
artist:Claude Monet
Date:1875
Style:Impressionism
Genre:portrait
Media:oil,canvas
Dimensions:55.3 x 64.7 cm
Location:Museum of Fine Arts (MFA), Boston, MA, US
Camille, Monets first wife, is shown with a child in the garden of their house in Argenteuil, near Paris, where they lived between 1872 and 1877. Today, Claude Monet is primarily known as a landscape painter, but in the beginning of his artistic career, he used to concentrate on portraits. No one else appeares in Monets paintings as often as Camille. In those year, portraits of women were mostly ordered by bourgeois clients, but among progressive painters, the artistic structure became more important than the identity of the portrayed person. The masterly style, the lack of details, and the plainness of the colours led to a completely new directness of expression, independent of the facial gestures of the depicted person. In this picture, the shimmering reds, blues, greens, and white that capture the brilliance of a sun-drenched day are applied with many small brushstrokes, whose varied shapes create the different textures of flowers, grass, and clothing. Meanwhile, the features of the woman are completely indistinct.
